Title: "Nostalgia Critic Reviews Ongezellig – The Creepy Dutch Web Cartoon!"

[raepson industries .ltc]

[Intro Scene: The usual Nostalgia Critic theme music plays as the camera zooms in on the Critic sitting at his desk. He dramatically flips open a folder with the Ongezellig logo on it.]


Nostalgia Critic:
[Smiling widely] "Hello, I'm the Nostalgia Critic! I remember it so you don't have to!"
[He raises an eyebrow as his smile fades into confusion.]
"And today… oh boy. Today, we’re diving into something that might just haunt my nightmares for years to come. You’ve been asking for it… Ongezellig. This is a web cartoon created by Studio Massa, and I gotta say, it’s not what I expected. Is it funny? Is it weird? Is it… the scariest thing to ever grace the internet? Let’s find out."


[Text on screen: "Ongezellig – 2020, Created by Studio Massa"]


Nostalgia Critic:
[Grinning] "Now, let me explain what Ongezellig is. This Dutch animated web series is like someone took all the awkwardness of social interactions, the discomfort of small talk, and the existential dread of being alive and put it into a colorful, unsettling cartoon. If that doesn’t sound like fun, well… you’re probably not alone in that thought."


[Cut to a clip from Ongezellig showing the surreal art style and weird characters. It’s awkward, off-kilter animation, with pastel colors and bizarre, round-faced characters.]


Nostalgia Critic:
[Looking at the screen, slightly bewildered] "I mean, look at this! The animation is like if Adult Swim and Peppa Pig had a terrifying love child! The art style is so... odd. Everything's soft and friendly on the surface, but then the characters are moving in a way that’s just... wrong. It's like watching a social experiment gone terribly wrong – except the experiment is 'let’s make the most uncomfortable cartoon ever.'"


[Cut to a scene from the cartoon where two characters are trying to have a conversation, but there’s an uncomfortable silence, and one of them suddenly starts sweating and looking nervous.]


Nostalgia Critic (mocking):
"Ah, yes! The classic awkward silence. I love how the entire premise of this cartoon is just about how nothing happens but everything is just wrong. You can feel the tension in every interaction. These characters are so uncomfortable with each other, you almost want to reach through the screen and say, 'Hey, buddy, it’s okay. Just say something normal!' But no, that’s not the point here."


[A clip shows another character nodding excessively, overdoing it with politeness, which just makes the interaction feel even more uncomfortable.]


Nostalgia Critic (mocking the character):
"Look at this guy! He’s nodding like he’s having some kind of stroke while pretending to be interested in the conversation! What is this? Why is everything so passive-aggressive? Who made this and decided this was what we needed to watch? 'Oh, I know, let’s make something that feels like an awkward dinner party that never ends!'"


[The Critic pauses the video, looking directly at the camera, shaking his head.]


Nostalgia Critic:
"Look, I get it. It’s called Ongezellig, which means unpleasant or uncomfortable in Dutch. So, mission accomplished. The problem is, it doesn’t feel like a fun discomfort, it just feels like being trapped in an emotional blender. The entire tone of this show makes you feel like you're the last person at a party, trying to escape but too polite to leave."


[Cut to another clip where a character says something bizarre, causing the entire scene to become more strange and surreal.]


Nostalgia Critic (nodding grimly):
"See, Ongezellig doesn’t just sit in awkward silence – no, no – it takes you deeper into the void. It makes you question the very fabric of social interaction. That’s not entertainment, that’s psychological torture with cartoons. Look at this weird, hyper-detailed scene where the character's entire existence seems to glitch out! Are they having an existential crisis? Is this a fever dream?"


[The Critic laughs nervously, rubbing his forehead.]


Nostalgia Critic:
"You ever watch something that feels like you’re slowly losing your grip on reality? Ongezellig is that. A surreal, uncomfortable nightmare where the humor is like ‘Hey, let's make the most awkward thing possible and that’s funny!’ You know, like those people who laugh awkwardly at a party because they don’t know how to talk? Imagine if that lasted for 12 minutes. That's this whole show!"


[Cut to the Critic doing his best impression of a character from the show, mimicking their awkward behavior.]


Nostalgia Critic (mimicking an awkward laugh):
"Ahahahaha... So, um, what’s going on? Are we having a good time? Ahhh... okay! Yeah, totally… um, nice weather, huh?"


[He stops the impression and turns back to the camera, looking shaken.]


Nostalgia Critic:
"Okay, okay. But I gotta give it credit where credit is due. As unsettling as it is, Ongezellig does something unique. It’s like nothing I’ve ever seen. It’s like if Curb Your Enthusiasm took place in a dystopian universe where everything is broken, and instead of Larry David, you’ve got a bunch of pastel-colored characters trying desperately to make small talk."


[A clip from the show plays where a character says something almost normal, and then there’s an odd, sinister shift in the music and atmosphere.]


Nostalgia Critic (smiling grimly):
"See that? That’s what I’m talking about. Just when you think everything’s going to be okay, BOOM, the music changes, and suddenly, you’re trapped in a social nightmare! You can’t leave, you can’t escape, and all you’re doing is sitting there wondering if you’ve done something wrong… if it’s you!"


[The Critic stares into the camera, utterly exhausted.]


Nostalgia Critic:
"So yeah, if you like cartoons that make you question your social interactions, Ongezellig is for you. But if you're like me and just want something that’s fun, easy to digest, and doesn’t make you feel like you’re losing your mind, maybe just stick to watching SpongeBob or something. This thing is like eating a whole meal made out of social anxiety and awkwardness, and it really leaves a bad taste in your mouth."


[He sighs deeply and takes a long drink from a coffee mug.]


Nostalgia Critic:
"Is it bad? No. It’s just… really uncomfortable. There’s something to be said for that, but it’s not what I’m looking for when I sit down to watch a cartoon. If you want a movie or show that’ll make you laugh and feel good, Ongezellig is the opposite of that. But if you want a strange, off-putting experience that makes you feel something… well, here you go."


[The Critic turns to the camera, deadpan.]


Nostalgia Critic:
"In conclusion, Ongezellig is… well, it’s a trip. A really awkward, uncomfortable trip. If you're into that kind of thing, check it out. If not, please… just stick to something that won’t make you feel like you're trapped in social hell. Thank you, Studio Massa. I’m… not sure whether to thank you or run away screaming, but I guess that’s a success?"


[The camera zooms out as the Critic slouches back in his chair, looking tired.]


Nostalgia Critic:
"Well, at least it's not another edgy 90s cartoon. Next time, something that doesn't make me question my entire existence. Please."


[Cut to the end credits, with an image of the Critic sitting in a chair, looking confused and drained, as the usual theme music plays.]


Nostalgia Critic (voiceover):
"Thanks for watching, and remember, if it's weird, awkward, or downright uncomfortable... I’ll probably review it."


[End.]

 

[Gem Control]

I love how 'zellig is such a literal who show that not even the AI knows any of the characters

 

[raepson industries .ltc]

I love how 'zellig is such a literal who show that not even the AI knows any of the characters

i had to explain what it is to the ai

 

[Gem Control]

i had to explain what it is to the ai

I bet if you told it something about homestar runner it would know what it is and who the characters are

 

[raepson industries .ltc]

I bet if you told it something about homestar runner it would know what it is and who the characters are

A-Top the Fourth Wall Review: Homestar Runner
[Scene opens with Linkara sitting in front of the camera with his signature comic book collection behind him. He adjusts his glasses, looking at the screen with a bemused expression.]
Linkara: "Hello, everyone. Linkara here, and welcome to A-Top the Fourth Wall. Today, we're taking a look at a web series that's both a cultural phenomenon and a bit of an enigma: Homestar Runner. You know, the one where a bunch of weirdos talk in funny voices and the main character is, well... 'Homestar'—a guy who, if you look closely, might just be an accidental genius. But we'll get to that in a bit."
[Linkara holds up a comic book titled "Homestar Runner: The Comic." He raises an eyebrow.]
Linkara: "Homestar Runner, or more specifically, the website "homestarrunner.com," first launched back in 2000. And for those of you who are a bit too young to remember, it was a weird and wonderful place to waste time on the internet. There was a little something for everyone: flash animations, strange characters, and jokes that were often nonsensical but somehow hilarious."
[Quick montage of clips from the Homestar Runner website, including clips of the main characters—Homestar, Strong Bad, Marzipan, and The Cheat. The sound bites of “TROGDOR!”, “I don’t know what I’m doin’!”, and “I’m not so good at this.” echo.]
Linkara (voiceover): “But what really makes Homestar Runner stand out in the world of early-2000s flash cartoons is the bizarre, surreal humor. Created by Mike and Matt Chapman, aka The Brothers Chaps, this show doesn't follow any traditional structure. Instead, it’s a collection of quirky sketches that often rely on improvisation and absurdity. You’ve got Homestar, who’s about as competent as a bag of hammers, Strong Bad, who thinks he’s too cool for school but is really just a dork with a luchador mask, and characters like Marzipan, the only reasonable one in the bunch, who constantly questions the insanity around her.”
[Clip of Strong Bad typing on his computer, sending insults to the audience with his "Strong Bad Emails" segment.]
Linkara (voiceover): “If you ever want to feel like you're watching something where the creators were just making it up as they went along, look no further than the Strong Bad Emails. These segments were simple: Strong Bad reads and responds to fan emails in the most ridiculous way possible. They started as short little sketches, but over time, they became the bread and butter of the Homestar Runner universe. And let’s not forget about the iconic ‘TROGDOR!’ song, which might just be the most epic thing to come out of this series.”
[Linkara sits back in his chair, pondering for a moment.]
Linkara: “But here's the thing—despite the random absurdity, Homestar Runner has a level of wit and cleverness that elevates it beyond just mindless comedy. Underneath the surface, there’s actually a lot of subtle social commentary, clever character arcs, and a whole lot of world-building. Homestar might seem like an idiot, but he’s our idiot, and the show lets us see him and his bizarre friends evolve in small ways over time. And I think that’s what makes Homestar Runner so enduring.”
[Cut to a scene of Homestar talking to Marzipan about how he can’t remember what day it is, while Marzipan tries to stay calm.]
Linkara: “Now, I wouldn’t be doing this review justice if I didn’t mention the heart of the show: the animation. You see, Homestar Runner was made using Flash, and for a long time, it was considered a revolutionary form of web animation. The characters are designed to look simple—almost childishly so—but the writing and delivery more than make up for that. It's a great example of how style can compensate for limited technical ability.”
[Cut to a series of clips showing the weirdly charming simplicity of the animation, like characters moving in jerky ways, static backgrounds, and poorly drawn props that somehow work in the context of the show.]
Linkara: “This is an era where the art of ‘low budget’ animation was embraced, and it worked. The Chapmans weren’t trying to make a high-tech animation masterpiece; they were making something that felt fun and accessible. And even today, those Flash animations hold up as a testament to early internet culture.”
[Linkara leans forward, now holding up a DVD of Homestar Runner.]
Linkara: “But as we wrap up this review, here’s the important takeaway: Homestar Runner is more than just a weird show. It’s a piece of internet history. It gave us iconic characters, memes, and moments that defined the early web. If you’ve never watched it, what are you waiting for? Go check it out—because even though the internet has changed, the world of Homestar and his friends hasn’t. And that’s what makes it timeless.”
[He puts the DVD back on the shelf and turns back to the camera with a smile.]
Linkara: “And that’s all for today, folks. Homestar Runner—a blast from the past, a peek into the soul of early internet creativity, and a reminder that sometimes, the most absurd things are the most important. Until next time, keep reading!”
[Linkara gives a thumbs-up as the camera zooms out. Cue the theme music.]
End scene.

 

[Gem Control]

A-Top the Fourth Wall Review: Homestar Runner
[Scene opens with Linkara sitting in front of the camera with his signature comic book collection behind him. He adjusts his glasses, looking at the screen with a bemused expression.]
Linkara: "Hello, everyone. Linkara here, and welcome to A-Top the Fourth Wall. Today, we're taking a look at a web series that's both a cultural phenomenon and a bit of an enigma: Homestar Runner. You know, the one where a bunch of weirdos talk in funny voices and the main character is, well... 'Homestar'—a guy who, if you look closely, might just be an accidental genius. But we'll get to that in a bit."
[Linkara holds up a comic book titled "Homestar Runner: The Comic." He raises an eyebrow.]
Linkara: "Homestar Runner, or more specifically, the website "homestarrunner.com," first launched back in 2000. And for those of you who are a bit too young to remember, it was a weird and wonderful place to waste time on the internet. There was a little something for everyone: flash animations, strange characters, and jokes that were often nonsensical but somehow hilarious."
[Quick montage of clips from the Homestar Runner website, including clips of the main characters—Homestar, Strong Bad, Marzipan, and The Cheat. The sound bites of “TROGDOR!”, “I don’t know what I’m doin’!”, and “I’m not so good at this.” echo.]
Linkara (voiceover): “But what really makes Homestar Runner stand out in the world of early-2000s flash cartoons is the bizarre, surreal humor. Created by Mike and Matt Chapman, aka The Brothers Chaps, this show doesn't follow any traditional structure. Instead, it’s a collection of quirky sketches that often rely on improvisation and absurdity. You’ve got Homestar, who’s about as competent as a bag of hammers, Strong Bad, who thinks he’s too cool for school but is really just a dork with a luchador mask, and characters like Marzipan, the only reasonable one in the bunch, who constantly questions the insanity around her.”
[Clip of Strong Bad typing on his computer, sending insults to the audience with his "Strong Bad Emails" segment.]
Linkara (voiceover): “If you ever want to feel like you're watching something where the creators were just making it up as they went along, look no further than the Strong Bad Emails. These segments were simple: Strong Bad reads and responds to fan emails in the most ridiculous way possible. They started as short little sketches, but over time, they became the bread and butter of the Homestar Runner universe. And let’s not forget about the iconic ‘TROGDOR!’ song, which might just be the most epic thing to come out of this series.”
[Linkara sits back in his chair, pondering for a moment.]
Linkara: “But here's the thing—despite the random absurdity, Homestar Runner has a level of wit and cleverness that elevates it beyond just mindless comedy. Underneath the surface, there’s actually a lot of subtle social commentary, clever character arcs, and a whole lot of world-building. Homestar might seem like an idiot, but he’s our idiot, and the show lets us see him and his bizarre friends evolve in small ways over time. And I think that’s what makes Homestar Runner so enduring.”
[Cut to a scene of Homestar talking to Marzipan about how he can’t remember what day it is, while Marzipan tries to stay calm.]
Linkara: “Now, I wouldn’t be doing this review justice if I didn’t mention the heart of the show: the animation. You see, Homestar Runner was made using Flash, and for a long time, it was considered a revolutionary form of web animation. The characters are designed to look simple—almost childishly so—but the writing and delivery more than make up for that. It's a great example of how style can compensate for limited technical ability.”
[Cut to a series of clips showing the weirdly charming simplicity of the animation, like characters moving in jerky ways, static backgrounds, and poorly drawn props that somehow work in the context of the show.]
Linkara: “This is an era where the art of ‘low budget’ animation was embraced, and it worked. The Chapmans weren’t trying to make a high-tech animation masterpiece; they were making something that felt fun and accessible. And even today, those Flash animations hold up as a testament to early internet culture.”
[Linkara leans forward, now holding up a DVD of Homestar Runner.]
Linkara: “But as we wrap up this review, here’s the important takeaway: Homestar Runner is more than just a weird show. It’s a piece of internet history. It gave us iconic characters, memes, and moments that defined the early web. If you’ve never watched it, what are you waiting for? Go check it out—because even though the internet has changed, the world of Homestar and his friends hasn’t. And that’s what makes it timeless.”
[He puts the DVD back on the shelf and turns back to the camera with a smile.]
Linkara: “And that’s all for today, folks. Homestar Runner—a blast from the past, a peek into the soul of early internet creativity, and a reminder that sometimes, the most absurd things are the most important. Until next time, keep reading!”
[Linkara gives a thumbs-up as the camera zooms out. Cue the theme music.]
End scene.

Yep, another W for Homestar WINNER and another L for clittyzellig.

 

[raepson industries .ltc]

@Gem Control

 

[Sneeder]

Next do the critic reviewing The Lawnmower Man